:: Trachtenberg Family Slideshow Players, July 16, 2003 ::

The following consists of my comments posted to by blog the day after seeing the Trachtenberg Family Slideshow Players, along with opening acts Moodoo Puppets and Gwendolyn and the Good Time Gang, at the Derby in Los Angeles, July 16, 2003 (I've removed the opening remarks regarding my trip to L.A., as they are of no interest to anybody):

I arrived at the Derby around 7:40. Turns out the show didn't start at eight, that was just when they would be letting us in. So I had to stand outside for twenty minutes, as the muggy air tried to bring me down. Once they let us in, I was really taken back by the venue. The domed ceiling was impressive, as was the circular bar in the middle of the room. I saw a screen in a side room, and a stage in the main room. I assumed the opening acts would be on the stage, and the Trachtenberg Family would be projecting their slides onto the screen. So I sat at the bar and had a drink while I waited for the first act.

The Moodoo Puppets opened the show, inviting us to sit on the floor and watch the adventures of Martina, a little girl lost in the universe, trying to save a magical school bus. Watching a children's puppet show in a bar was a bit odd, but a lot of fun. The only person under 21 in the whole place was Rachel Trachtenberg, who seemed to enjoy the puppet show; her presence in the audience gave the moment some air of authenticity, as though the puppets were for her and we were just along for the ride. I can't say it was a great puppet show, but it was entertaining, and the Snailian puppet was especially amusing.

The next act, and the highlight of the evening for me, was Gwendolyn and the Good-Time Gang. She has a wonderful voice and just enough perkiness to perform delightful children's songs, without becoming grating. I suppose "effervescent" would be the word. She opened with "Farm Animal Friends," the only song of hers I'd heard before. She also performed "Freedom of the Heart (Oodily, Oodily)," which might be more well-known due to its inclusion on the Chuck and Buck soundtrack. Actually, she sang just about every song on her album, and some more: "Supercalifragilisticexpialidocious," "The Itsy-Bitsy Spider," a countrified "Bare Necessities." It was not hard at all to see why children would love her, and not much harder to see why the adult crowd was, for the most part, digging her. I bought her CD after the set, and having listened to it on the way home and during my commute today, my favorites are still the songs I loved the most during her set, like "My Anatomy," and, probably my very favorite of them all, "I Don't Think I Like It."

The CD I'm sure would delight any child, and is great, but not as great as seeing her live. Gwendolyn is very good at doing different voices, and for the most part becomes a child on the album. She's good at it, but I enjoyed her live, better, when she was portraying herself as she is, an adult with a childlike appreciation for good innocent fun, rather than a child impersonator, as on the CD. But that said, I still love the CD.

When they were done, I got the CD, then ducked into the side room where the screen was. I got a seat on a wonderful, plush chair, right in front of the screen. I was brooding on my unbelievable fortune for a good five minutes or so, before I realized there were no instruments in the room. Then I looked on the screen, and saw via the televised projection from the other room, the Trachtenberg's setting up on the stage. The screen was just for the overflow crowd to squint at and not be able to make out much, but still feel like they got their money's worth, apparently. So I went back to the other room and got as good a vantage point as I could. Sadly, despite the intimate venue, there were a lot of people for the Trachtenberg Family's set, and with the huge honking bar in the middle of the room obstructing the view, it was very difficult to get a good vantage point. And it was hot as blazes. And we were crammed in like sardines. So by the time the Trachtenberg Family Slideshow Players took the stage, I was hot, sweaty, and clausterphobic, and probably not in the best mindset to see the show. So please bear that in mind.

They were fine. Nothing special. "Look at Me" and "Mountain Trip to Japan, 1959" are great (the "secret" portion of their web site has a multimedia clip of "Mountain Trip," but sadly without the apparent public execution). "Middle America" is good, too, though for some reason, given the wonderful potential of the subject matter (it narrarates drivers ed training material), seems to me to fall a little short. Jason Trachtenberg is a bit odd, his ramblings between songs veers erratically between amusing and aggravating. Rachel Trachtenberg's occasional comments are charming, though for the most part you forget about the novelty of the youthful drummer. Maybe because I couldn't see the drum kit from where I was.

What I'm trying to say is, I enjoyed the songs, but still felt let down by their set. I think the imperfect conditions, plus fretting about the drive home, might have put a damper on my mood, so I won't necessarily lay the blame on the Trachtenbergs. In any event, it turns out Gwendoly and the Good-Time Gang was worth the drive alone. There was apparently another act after the Trachtenbergs, which I didn't know about, but it was about 11:30, and I had to work in the morning, so there was no way I was staying. I made it home around 1:20, and after getting Tanner calmed down, went to bed.